Monday, May 27, 2013

Paisley printing

I carved one of my paisley designs onto Ezy-Carve printing block.  It was harder than I expected to get fine detail but then I haven't practiced on this for ages.  I did print it and was reasonably pleased for a first attempt.  I put in the texture lines for, well, texture.  As you can see from the shape, I didn't have a whole piece of block.
©Christine Linton

Sunday, May 19, 2013

Triple paisleys

blue paisley

purple paisley

Monday, May 13, 2013

Stitching on plastics

I've been experimenting with some old samples from last year.  These are plastics that I decided not to do anything further with.  I wanted something to stitch a double helix onto, as a sample for something else I'm working on, and pulled out a sheet of two colours of gift wrap cellophane, fused together with some clear plastic.  I didn't like working with fusing plastic, the fumes even with a respirator on myself are still in the air polluting it; but I kept the samples I made and the colours attracted me for this.  I used several different colour threads including metallics, to clearly define a double helix.  Not the centre part, just the outlines.
©Christine Linton

Some other machine leaves

Here are a few more of the close ups of the machine embroidered leaves.
printed organza leaves, double layers, free machining over beading wire to twist into shape ©Christine Linton

heavy machine embroidery on thick upholstery fabric, so it can be twisted into shape easily 
©Christine Linton


the back of the above leaf - in some ways even more interesting ©Christine Linton

Tuesday, May 7, 2013

Machine embroidery Leaves

I've had a request to see close-ups of my Leaves - so first the basket, which is how I originally displayed them.
©Christine Linton

Machine embroidered leaves

 Then some of the openwork Leaves.
©Christine Linton

Machine embroidered leaves

To make these, I zigzagged over copper wire for thick pieces, and over beading wire for thin lines.  Broke a few needles if I went too fast, or the wire bent back towards the needle - slow is best for this technique.  I used different colour threads for variety.

More next time.

Wednesday, May 1, 2013

Map of Life

©Christine Linton
From my journal.  Painted recycled papers over a map, hand lettering.